Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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110,680 paintings total

  

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Bernardo Bellotto
Pulkownik Piotr Konigsfels udziela lekcji jazdy konnej ksieciu Jozefowi Poniatowskiemu.
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Bernardo Bellotto Pulkownik Piotr Konigsfels udziela lekcji jazdy konnej ksieciu Jozefowi Poniatowskiemu.


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Bernardo Bellotto

Italian Rococo Era Painter, C.1721-1780 Italian painter and draughtsman. He was a view painter who worked in Italy and later at the courts of Dresden, Vienna, Munich and Warsaw. The nephew and almost certainly the pupil of Canaletto, outside Italy he signed his works de Canaletto and hence became known as Canaletto. He painted both topographical and imaginary views in a style independent of his uncle's, distinguished by cold colour and by the austere geometry of architectural masses.   Related Paintings of Bernardo Bellotto :. | Pirna Seen from the Right Bank of the Elbe | Ansicht von Pirna, Pirna von der Sudseite aus gesehen, mit Befestigungsanlagen und Obertor (Stadttor) sowie Festung Sonnenstein | View of the Villa Cagnola at Gazzada near Varese | Ansicht von Dresden, Der alte Wassergraben des Zwingers, von der Orangerie Richtung Stadt aus gesehen | Capriccio Veneto |
Related Artists:
William Shayer
1787-1879 English painter. Although based in Southampton and catering predominantly to a provincial market, he also exhibited in London. Between 1825 and 1870 he showed over 330 works at the Royal Society of British Artists and 80 at the British Institution. Shayer produced rural genre scenes in the manner of Francis Wheatley, Julius Caesar Ibbetson and, predominantly,
Jjean-Marc nattier
French Rococo Era Painter, 1685-1766
Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.






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